Monday, April 28, 2008

Jungle romp

What better way to pass a Friday in Koh Phangan than with an elephant ride. Unforunately, my attempts to dismount with a slide down the animal's trunk were thwarted.


checking out our rides


getting friendly with an infant


atop the beast*


Josh and Tracy lead the way

*note: Asking your guide boy to refer to you as "Mistah Jones" is, sadly, unlikely to get you anywhere. If nothing else, your request is likely to be met with stony silence.

Sunday, April 27, 2008

Friday, April 25, 2008

Hug a pop star day

Say what you want about pop music, but there's just something about the pop sensibility that feels right. After scouring itunes for the latest in Clear Channel goodness this past week, here's four songs that particularly struck me:

The Afters, "Never Going Back to OK"
The Afters - Never Going Back to OK - Never Going Back to OK
The chorus is a dead bull's-eye. Despite the inadvertently pejorative "Christian" band label (why this makes me wince so consistently, I'll never know), I couldn't back away. Hard-charging guitars, slick production, and soaring vocals in just the right spots.

David Cook, "Always Be My Baby"
I shouldn't have to defend this, but I will anyway. There's a reason I haven't watched American Idol in several years, but this year I think they got it right (imagine, musicians with instruments!) I may have been slightly more taken by this week's Phantom treat, but I'll go with the re-working of an insanely popular Mariah Carey song for it's infectious appeal in spite of a dramatic makeover. Kudos to Mr. Cook for the performance, and double ups to Ms.Carey for proving that good song writing is simply good song writing.

Jordin Sparks & Chris Brown, "No Air"
Jordin Sparks & Chris Brown - Jordin Sparks - No Air
As good a combination of r&b beats and pop instrumentation as you'll find. Two great young voices and an ethereal chorus that sounds like it should be reserved for a drives along an open ocean road. If only it wasn't so irresistible. And just for argument's sake, Justin Timberlake isn't the heir apparent to Michael Jackson - Chris Brown is. I'll have this song on repeat for a week.

Sara Bareilles, "Gravity"
Sara Bareilles - Little Voice - Gravity
She's like a talented Michelle Branch, and I mean that in a good way. The arrangement is right on. If you can step out of the hipster closet just long enough, this is one of the better songs you'll hear this year, right down it's record closing glory note.

Wednesday, April 23, 2008

A Saturday in Iya

Took the fam out to beautiful Iya Valley last month to enjoy the countryside and take a stroll across the famous kazurabashi. Thankfully, all made it across safely.


drivin' on the wrong side


delicious Tokushima soba


the vine bridge


creepin' across


local amego, grilled and ready for consumption


the view from below

Monday, April 21, 2008

On Sam Cooke and Obama

On December 21, 1963, Sam Cooke walked into RCA studios and recorded "A Change Is Gonna Come," a song that has appeared on countless 'Greatest Of' lists and that ultimately came to exemplify the Civil Rights Movement of the 1960s. Nearly forty-five years later, Barack Obama has sprung up as a legitimate presidential candidate and as the American democratic party's prescribed "candidate for change." The similarities between the two men are evident yet mostly transparent. Both are (in Cooke's case, now posthumously) prominent figures in their communities, both spent a good portion of their lives in Chicago, and almost irrefutably, as can be evidenced by Cooke's recording and by Obama's numerous campaign slogans, both are staunch believers in change. It is in this principal then, rather than in the two mens' personal life parallels, that the intrigue lies in this spring preceeding November's US general election.

While it would be erroneous to say that Sam Cooke's poignant single about the conditions of race in America was met with real resistance upon its release, it is at least worth noting that "A Change is Gonna Come" (officially released December 22, 1964, almost exactly a year to the day after its recording and only eleven days after Cooke's untimely death) was considered only a moderate commercial success when placed alongside many of the singer's equally famous recordings. Its sales point perhaps to a nation's resistance to embrace a highly polarized statement in the midst of political uncertainty, but without a doubt its legacy as an anthem for change can be owed to the will of the people and admiring songwriters who grew to embrace it. "A Change Is Gonna Come," despite its sweeping and heavy-handed backing arrangement, earned its place in cultural lore because of the timely and perhaps inevitable collision of two powerful elements - the earnest aching and conviction of Cooke's voice and lyrics, and the public's yearning for change.

That Obama now calls for similar, if not more over-arching change nearly a half century later with only mixed results, is important. His inability to thus far overcome Hillary Clinton in the democratic primary can perhaps be attributed to a number of things, not the least of which being an overblown forced perception of Clinton as a simple representative of the status quo. Indeed, a side by side comparison of the two candidates stances of a number of important issues reveals this to be false (or, at least, extremely questionable). What truly marks Obama then as the "candidate for change" lies once again in the mixing of two key elements - the candidate's stormy and oft-inspirational orations, and the American people's enthusiastic responses.

Why then, when just last month Obama delivered his own "A Change Is Gonna Come" in the form of a landmark speech on race, were the senator's words suddenly met with little more than liberal media adoration? Why is it that such illuminating words - and yes, the risk factor involved in giving such a speech during an election year and Obama's willingness to depoliticize the topic no matter the political implications do qualify the speech as illuminating - why have such words already been tossed off as little more than musings caught in the wind (rather than as, say, a modern day "Blowin' In The Wind")? Could it be that America is simply not ready for the kind of broad change that a new liberal presidency offers? Or is it that we've simply become too comfortable to care?

Last Friday, 35,000 people came out to Independence Park in Philadelphia to hear Obama speak. Their fervency is only one example of the wide support and optimism that has surrounded the campaign since its inception. However, if Barack Obama is to win his party's nomination and ultimately, the presidency, it will be because the American people, on whom this one of a kind campaign have placed so much onus on already, continue to stand and call for change. And while they must continue to do this through rallies and on you tube and through catchy slogans, it is ultimately in the voting booth where real change will begin. Because if Obama's campaign has taught us anything, it's that words in speeches, while important, only mean so much, and it is through actions that we define ourselves and the moments in which we live.

When Sam Cooke stepped into a recording booth in 1963 and sang the words, "There have been times I thought I couldn't last for long, but now I think I'm able to carry on. It's been a long time coming, but I know a change gonna come," he meant it with every ounce of his soul. That song, such a bittersweet projection if there ever was one, showed what he could have done had he lived through the 60s and beyond. In that same vein, and in the hopes of one over-zealous, idealistic, and long-winded blogger, it would be a shame to see Obama's promise for change flame out after such a mesmerizing opening verse.

Brule's Rules (Part 2)

The epic conclusion (warning: graphic material within).

Friday, April 18, 2008

Early morning off Koh Phi Phi

6 a.m. wake up calls are worth it when the payoff is quiet waters and sun rises in Thailand. For about $4.50 US we got several hours transportation, snorkeling gear for four, and all the beautiful views we could handle. Throw in a private swim at Maya Bay - filming location for 2000's The Beach - and it all added up to a pretty fine morning.


our trusty vessel


leaving Phi Phi Don


cave presumably filled with treasure


dropping anchor at Maya Bay

Punctuation is for the weak

Just ask William Faulkner, who created this mind-boggling post-colon description in The Sound and the Fury:

"...that blending of childlike and ready incompetence and paradoxical reliability that tends and protects them it loves out of all reason and robs them steadily and evades responsibility and obligtations by means too barefaced to be called subterfuge even and is taken in theft or evasion with only that frank and spontaneous admiration for the victor which a gentleman feels for anyone who beats him in a fair contest, and withal a fond and unflagging tolerance for whitefolks' vagaries like that of a grandparent for unpredictable and troublesome children, which I had forgotten."

Why is it that nearly everything we consider a masterwork typically rages against those things our high school English teachers tell us about the necessary conventions of writing? And why is it that Faulkner's anarchic structure and novel as a whole reads as much like a "fuck you" to critics of traditional literature as it does a piece of classic story-telling? Read the above sentence in one breath if you dare, but don't blame me when you come to on the floor.

Friday, April 11, 2008

Brule's Rules

From Adult Swim's obscure Tim and Eric Awesome Show, Great Job! Never before has a single video clip had some a profound impact on my opinion of a comedic actor. Sweet berry wine!

Thursday, April 10, 2008

From Japan

Had the fam in town over spring break for ten days of sightseeing in Kansai and Tokyo. Unfortunately, the true highlights went undocumented (among them, a memorable karaoke duet of Phil Collins' "Another Day in Paradise" with my father), but here's a look at the other photographic evidence.


w/ Brian at Kinkakuji


Godzilla (not to scale)


stumpin' in Kyoto


blessings at Heian Jingu


Kiyomizu-dera


early morning activity at Tsukiji Market


a beautiful day in Ueno Park


mom and dad on the Shinmachi

Tuesday, April 8, 2008

Uncovering LOST

From Bob Powers' Girls Are Pretty blog:

Friday, April 04, 2008

You Think You Know What The Smoke Monster Is Day!

You have been living alone for the twelve years since your divorce and you never really had much in your life to keep you occupied until you started watching "Lost." Now you spend all your days commenting in message boards and editing "Lostpedia" with your theories, but many of the other fans think you're a crackpot. The one theory of yours that no one wants to accept is that of the nature and origin of the Smoke Monster.

"It's sexual," you start off. "The smoke monster is an embodiment of the unresolved sexual tension between all of those characters who should be having sex with each other but aren't because they're either too busy worrying about the freighties or because they've already been killed and buried. Anytime someone comes close to having sex on the island but gets shot instead, the smoke monster grows stronger."

No one wants to accept your theory and anytime you add it to Lostpedia, it gets removed almost immediately. You're starting to get a little pissed which is why today you're going to find the other major players in decoding Lost-lore online and you're going to bring them to your house and starve them until they're too weak to escape. Then you're going to make them live with you as members of your family and all of you will watch Lost together when it starts up again. You've never watched Lost with anyone before, and you bet it would be fun. Just as long as the people you're watching with don't get stupid and contradict you, because for those foolish folks you'll keep a branding iron glowing hot and ready to scar their naked torsos (keep them all naked to make it harder for them to run away).

Be careful though. When you walk toward that first house of the first Lost "expert" you want to kidnap, how do you know he isn't waiting for you? How do you know he wasn't planning this all along? How do you know this isn't exactly what the island wants you to do?

Happy You Think You Know What The Smoke Monster Is Day!